I expect by now you’ve likely heard that I’m undertaking a Patreon model to incentivize me to create Cobalt City short fiction. If not, this is your notice. Click on the link above and you’ll go to the site.
Don’t worry. I’ll ask you to click on the link again after I explain to you, and to my existing patrons, a bit more about what I’m going to be doing there.
Now, in a perfect world, Cobalt City would be something you’d all read in comic book format. After all, that’s where people expect to read superhero stories, right? I don’t have that luxury because 1) I’m not a comic book artist nor do I run a comic book publishing company, and 2) a whole new world of unknown superheroes by someone new to the comics field is pretty much doomed to failure. The only way to make these stories, these characters happen, is through fiction, which I’m okay with. But damn if I wouldn’t love good character art for each of the heroes so I could someday run into cosplayers or fan artists. Ah, dare to dream, I guess.
For those familiar with the characters of Cobalt City, they may be wanting more detail. Currently, I play on setting these stories in two distinct time periods: the “Weird Hero” period of the Seventies, and Contemporary as heroes grapple with the new normal of rising White Nationalism and corrupt and fascist leaders.
During the Weird Heroes movements of the big 2 (Marvel/DC), we saw such characters & books as Howard the Duck, Man-Thing, Satana, Daimon Hellstrom, Swamp Thing, Ghost Rider, Creeper, Ragman, Werewolf by Night, and Tomb of Dracula. It put the focus on black magic, the supernatural, or just plain odd. To honor that, the Seventies-set stories I’ll be doing will occasionally deal with a wave of forgotten, old, or minor gods sliding back into public consciousness and causing problems. This Small Gods arc will feature individual and occasional group stories featuring the nomadic, cycle-riding anti-hero The Devil’s Daughter, the Vietnam vet avatar of Thor known as Cole “Midnight Thunder” Washington, Doctor Shadow back when he was known as The Black Hand, and the vampiric monster hunter The Venetian.
The other stories feature: an ongoing arc with Huntsman and Libertine going to ground to train up his two young successors after his secret identity is leaked to the press; an ongoing arc where everyone’s favorite bisexual Vietnamese anti-hero Bantam works to deconstruct a massive government conspiracy on behalf of former mob assassin Xia Lo, the Harlequin; and an anthology format of solo and team-up stories staring Gallows, Caterwaul, GhostHouse, Kraken, and Madjack–as new and established heroes being brought together as the new Icons by hacker Morgan Lee, the Wrecker of Engines.
Despite the structure of some of these overarching narratives, each story will be self-contained and can be read independently. And as I complete each “season,” the stories will be collected into e-book and possibly print releases. (Though one of the Patreon tiers includes print copies of each story as they’re published in a limited run chapbook format.)
Several of these characters have appeared in other places. Midnight Thunder first appeared in the Timeslip anthology and to a lesser degree in Cobalt City Double Features. The Marcus Castile Huntsman was also in Timeslip, as well as in the novels Chanson Noir, Cobalt City Blues, and has made occasional appearances in the Kensei stories from Jeremy Zimmerman. Libertine has been in the Dark Carnival anthology as well as Cobalt City Blues. Bantam and Xia Lo appeared in the novel Cobalt City: Ties that Bind. Gallows has appeared in Cobalt City Christmas as well as Cobalt City Blues. And the Morgan Lee Wrecker of Engines first appeared in Cobalt City Rookies, written by Rosemary Jones. As for Madjack, she will make her debut in the Behind the Mask anthology from Meerkat Press this May.
As for the others, maybe some brief introductions are in order.
The Devil’s Daughter is the anti-social nomad cruising the back highways of the country on her custom chopper and fringed leather jacket. As a self-proclaimed “spawn of Satan,” she can conjure and control Hellfire, which she uses to dispense with her perceived enemies.
The Venetian is a vampire from mid 1600’s Venice. With his plague doctors mask, enchanted saber, and specialized hand-cannon, he’s made it his singular purpose to hunt the horrors that plague mankind. One of the so-called “Immortals” (along with Doctor Shadow, Tatterdemalion, and the Monkey King), he’s on the front lines of turning back the darkness.
Caterwaul is Felix Joseph, a young man from the Coeur d’Alene reservation who trained at the side of Gato Loco and Snowflake, preparing to take up the mantle of Gato Loco once Manuel de la Vega was ready to retire. He’s still new to the game, but with Manuel still acting as his mentor, he’s a worthwhile successor to the title.
GhostHouse is Mark Obiyashi, the half-Japanese, one-quarter ghost college student, saddled with his dead grandfather, Yoshi Obisashi as his constant companion. In addition to being ablet o communicate with restless spirits, he can harness ectoplasmic energy, making him an object of fear to the unprepared and a bit of a longer to those who know him. Seeking to make a difference with his life and abilities, he is eager to act as an agent for Wrecker of Engines.
Loyal friend to Mark Obiyashi, Lillian Mead was raised in the foster system after her Iranian-born journalist father was renditioned to a secret prison following 911 and her mother, the superhero named Nightmare became the government’s most wanted for trying to break him out. Lily’s heightened strength (and the superhuman strength of her shadow tentacles) and mood swings means she has a difficult time making friends. With nothing left to lose, she joins with Mark and Wrecker of Engines to help where she can.
Come check out my Patreon, where I’m promising a minimum of one story a month, plus ephemera. It’s cheaper than a comic book, and you can quit at any time, so what are you waiting for?