Posts Tagged ‘gothic’

raven wing

When I created Anwat al Masewei over twenty years ago, I didn’t ever think it would bring me here.

I was engaged to my second wife, an artist, and we had the idea to do a fantasy comic book. Something different. We created a few characters, she did a few drawings, and I sketched out the idea of this city–a fantastical city built on a delta surrounded by cliffs and salt wastes and deserts beyond that.

But things happened, and we moved on to other projects.

A few years later, I was in a D&D game and had the chance to run a short interlude episode, so I recycled the city and used it as a port of call. I soon realized I really enjoyed that as a game location, so I set about building out the setting a bit more. That became what I referred to as the Anwat setting, and I ran a long, fruitful game there as I built out the Caliphate of Dust.

Then I started a second came. Influenced by the courtly politics of George R.R. Martin’s Game of Thrones books, this one would be more recognizably European. So I started fleshing out the Caliphate’s northern neighbor, the Vale Lands. That went on to become my longest running, and most enjoyable experience as a DM ever. By this point, I realized what I really wanted to do was build up the world enough to publish it under the open license for Dungeons & Dragons 3rd Edition.

And so the book was built out. 86 pages of setting, religions, history, culture, politics, intrigue. As the Anwat game came to a close, I moved those players over to Ravensgate to tinker about the mountainous border city and college of necromancy. It had a bit of an anachronistic, cold war vibe–the Medieval analog for 1950 Vienna, perhaps. For mood and theme, the Portishead song “Sour Times” really came to epitomize the feeling of that game. It was, sadly, short lived for a variety of player reasons.

But it had lasted long enough. The world was built. The corners filled in. Everything was ready to get formatted out, the charts checked over, art commissioned…

…and then the open license was killed as they moved on to their 4th Edition.

What’s a guy to do? Well, this guy kept playing and fleshed out a few other corners (namely the Frost Islands). Meanwhile, I kept working on other projects. Until I realized that all the work I’d done in building the Anwat (and Vale and Ravensgate) locations didn’t need to be wasted work at all. Sure, there might not be the need for a game book anymore, but damn if it didn’t provide a rich setting bible for the purposes of writing fantasy.  I’d already written a few short stories set there.

And when I’d killed off the Ravensgate game, I did so in a particularly apocalyptic manner. Why not do something with that? The original outline was for a trilogy, because that’s what all the cool kids are writing. Three primary story arcs with a big cast of characters spread out over the three books.

I got writing, and at some point realized what I really wanted to do was less a trilogy and more of a triptych. So I hacked everything apart and put it back together with each of the three arcs having its own book, with the three books happening more or less simultaneously, all spurned by the same apocalyptic opening act. I liked the new structure. And it let me focus on different themes for each arc rather than make for one big muddled arc for ALL of them.

The first one, Of Rooks and Ravens, features a young, ACE academic forced out of her comfort zone and in the company of an untrustworthy (and at times unwelcome) mentor. While the book has gone through multiple drafts and revisions (and even more after selling it to Razorgirl Press who will be releasing it at the end of September), the book has remained a coming of age story that explores questions of culture and identity.

And I love it dearly. I wasn’t really aware when I was writing it that it was Gothic high fantasy. But apparently, it’s Gothic high fantasy. I blame the weather. And the dead things.

Interestingly, the second book in the triptych, Redemption of the Yellow Wolf, about families and second chances, is something like half done with the first draft. And the third, The Sea In His Blood, is maybe 25% finished and focuses on late-in-life responsibilities to make your life count for something. Yet neither of these books are likely to be my next novels.

First, I need to finish the next Cobalt City novel, which I should be able to wrap up in the next month. There are too many people waiting for that one. And the nature of that one is too timely to let sit. And then, while there are other books I’d love to be doing, I’ll be diving back into events that arose from Of Rooks and Ravens for something else entirely.

At some point soon, before the end of the year, certainly, I’ll begin writing a new trilogy, entitled A Conspiracy of Feathers. I don’t know if high fantasy espionage is a genre yet, but that’s what I’ll be doing. And the first book, Thrush Among Vipers, lets me return to where it all started, back in Anwat al-Masewei. I’m really thrilled to be working in this world, and even more excited that other people get to be able to see it soon.

In the meantime, keep watching this space (or my other social media) for pending cover reveals, launch information, and readings in your area!

 

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Novel Fuel

Authorial Essentials

If you’ve been reading this blog for long enough, you’ve probably heard me talk about Of Rooks and Ravens, the big, weird fantasy novel set in the world of Ravensgate. If you have missed all the randomness about how the project evolved, that’s okay. It’s a Gothic high-fantasy with an ace/aro female academic forced by fate into a world of intrigue, politics, and birds.

You’ll love it.

Anyway, the big change is that I found a publisher for the book last year and we’re in the edit process so that we can launch in early October of this year. And I realized that this was a great opportunity to talk about edits. And more importantly, working with publishers and editors on edits.

So get yourself an iced coffee and pull up a chair. Shit is about to get real.

I don’t know how many times I’ve edited this book. This includes at least one and a half edit passes heavy enough I’d almost consider them rewrites. It got at least two big edits before I let anyone read it or the first time. And a few more since then.

And you’d think with all those edits, all that time, the book should be in really damn good shape, right?

Well, yes and no.

If you do your job well and the stars align and you get your manuscript out to the right people, all of your previous edits might be enough to get it noticed. They might like it. They might, heaven forbid, actually think it’s good!

But that doesn’t mean you’re done.

Because why the fuck are you settling for good?

With a talented editor or two by your side, you should set your sights on great. But even if you never quite reach that vague plateau, if you commit to the collaborative process with good editors, you can at least attain better. 

They are your allies. They are there with the same goal you have: to tell the best story possible. No, they aren’t always right. But trust me on this: neither are you. Take your ego out of it and learn to listen.

Anyone who has gone through this process knows there are different degrees of editing. Everyone should at least have an extra set of eyes looking for grammar, spelling, punctuation, and the level of things a copy editor looks for. But ideally, you will find an editor who challenges you to look at the manuscript in new ways and find things that you overlooked.

“But Unca Nate! I’ve gone through this novel with a fine-toothed comb three times. I created this world! How could I have overlooked anything?”

Again, don’t get defensive. Do you know how much work I’ve done in Ravensgate? Years and years of work on this university city in the high mountain pass next to a vast, dark lake.

YEARS!

Guess what? It never occurred to me until the last set of deep edits that Preston had never eaten fish before because no one would eat something that came out of that giant, dead lake. It never occurred to me that despite the altitude and the cold that it was weird  the lake never froze over. You’d think someone would have commented on that

And then in an edit meeting yesterday something else occurred to all of us. Not only is the lake, which is so central to the city not even mentioned until the second chapter, but I’ve never thought to actually give the lake a goddamned name.

I’d like to take this moment to commend Alisha Knaff and Christine Smith from Razorgirl Press. The first time we sat down to talk edits, we went through an entire novel’s worth of notes and suggestions over coffee. It took almost three hours. After that edit pass, we sat down again and looked not only at those changes, but at the whole novel and, in particular, the first chapter which was annotated and flagged with tiny tweaks and questions like a conspiracy board of the Kennedy Assassination.

And we dug into those for over an hour, note by note by note.

It was the most intensively collaborative editing step I’ve ever experienced.

And I mean that in the best way possible. Because several of those flags marked things that were already great. Some were simple suggestions of revised word choice. And some were little tweaks to bring in more depth and detail.

I dug into the notes today and started the latest edit pass. Two pages in, and I had to take a break to write this post. Because no matter how good you think your book is, it’s possible to make it better. Because that book you read that changed your life, that blew you away and made you want to be a writer? I can pretty much promise you it didn’t just happen.

I loved Of Rooks and Ravens. I loved this weird story about an awkward girl forced out of her comfort zone and into a bigger world which she has to navigate alongside an utter bastard of an accidental mentor. I loved it more after that last edit pass I turned in earlier this spring. And holy shit, guys, I can’t wait for you to read what it’s going to be when we’re done.

You’ll be able to see for yourself in October. And pay attention to this space. I’ll be revealing more, including the cover, in coming months.