Short Fiction


A few years ago, I went to Gen-Con for the first time. It was an incredible experience on many levels, but what really stuck with me was this feeling of “rightness.” There was a real feeling wandering around Indianapolis that the Geek truly did inherit the Earth. We OWNED that town, at least around the convention center. It was a feeling of acceptance for the sub-culture I’d embraced on an unprecedented scale.

Flash to last night’s “Night of Authors” at the Wayward Coffeehouse. Now, the Wayward has always been a sort of Geek-Central. A regular Browncoat rally-point, the owner’s love of sci-fi and fantasy is evident in the decor and the menu. Where else can you get a Wash bagel or Jayne plowman to wash down with a Devil’s Trap Latte? I’m partial to the Sheppard plowman — hummus and peppers — with maybe a Kryten Mocha. But last night was a celebration on a literary level that I’m not used to seeing.

Organized by the lovely and talented Jennifer Brozek, she managed to pull in close to a dozen readers for a three hour block, and fill the house. Sci-fi, fantasy and horror were represented there with names such as Cat Rambo, Jen Brozek, Jeremy Zimmerman, Steven J. Scearce, R. Schuyler Devin, and more I’m sure I’m forgetting. The new Rigor Amortis anthology was well represented, and 3 stories from there were shared. I got to read twice, covering for someone in the first slot who was unable to attend unexpectedly, and closing out the evening with my regularly scheduled slot. I pimped for the Rock is Dead anthology and for Cobalt City Timeslip — both pieces being well received. I was also able to hand out my new Publisher business cards, along with flyers for the Biopunk anthology which will start accepting submissions in just over a week.

It’s weird knowing how many anthologies I’m going to be appearing in over the next quarter or so. And more might be around the corner, as I have a few more stories out and few more to submit. The year of the anthology continues unabated.

Before you judge me, consider this. The first Counting Crows album, August and Everything After, came out in 1993, and when “Mr. Jones” got heavy rotation on MTV (back when they played videos), it catapulted them into instant stardom. The album became the fastest selling album since Nirvana’s Nevermind. The band has since sold over 20 million albums, which is no small feat.

Now, that doesn’t make them Beethoven or The Beatles, but it don’t make them Justin Beiber, either. The music is tightly crafted and honed by a focus on live performance rather than studio trickery. Take a listen to rhythmic structure of “Anna Begins,” the interplay of instrumentation in “Perfect Blue Buildings,” or the crisp build of “Round Here,” which never feels forced or muddy.

And let’s look at the lyrics. Sharp and insightful, they have so much more to say than, “Oh baby, I want to be with you.” They do say that, on occasion, but usually with the weight that comes from knowing, “Yes, I want to be with you, but we’re both broken, and will we fix each other or just be two broken people limping through the world?” I paraphrase, of course. But consider “Round Here,” one of my favorites on their first album.

I walk in the air between the rain
Through myself and back again
Where? I don’t know
Maria says she’s dying
Through the door I hear her crying
Why? I don’t know

For a lot of writers I know, they find inspiration in the writing of others. I had a conversation with a friend last week who is reading Robert E. Howard’s Conan books for the first time, and I could hear the inspiration in his voice. I can hardly wait to see what that spurs him to write. It’s no different with me, but I find myself being sparked by song lyrics as much as anything else. I recently had a story picked up for the Rock is Dead anthology that illustrates that truth quite well.

My story “Memory in the Time of Bones,” available as a free 13 minute audio podcast on the wonderful Wily Writers website, was inspired entirely by the Crow’s “American Girl” song off Hard Candy…specifically the line “…she has porcelain under her skin.”

There is also a line from the Counting Crows song “Mr. Jones” buried in Cobalt City Blues, and I’ll buy a coffee for anyone who finds it.

Good writing is good writing is good writing. It doesn’t matter to me where it comes from. And if you keep your ears open, you’ll find gems where you least expect them.

October is now my official favorite month.

Ok, not like that’s changed much. I’ve always been an autumn kind of guy. I love the sounds, smells, and temperatures of September-November, (back-to-school to Christmas, actually). I even got married in October once. That didn’t stick, but my love of the season did.

But now, I have another reason to cheer. October 1st of this year sees the release of not one, but TWO anthologies in which I have a story I’m pretty proud of.

One of those I’ve known about for a while, since I’m publishing the Cobalt City Timeslip anthology. I set the date, and even though I’m going to have a few copies before the official release to sell at Foolscap 12, the actual release has been the 1st since the project was conceived.

So imagine my joy when I find out that the Rigor Amortis anthology from Absolute X-press is coming out the same day. Check out that link. Drink in the glory of that cover. It makes a fella swoon, yes indeedy. My story even got mentioned in the description…unless someone else wrote about honkey-tonk zombies.

So mark your calendars. Two stories with a musical bent (honkey-tonk and disco — one with amorous zombies, one with the reincarnation of Norse gods) will be there to brighten your October. And if you’re going past the kitchen, can you snag me a piece of pumpkin bread?

Year of the anthology for me? I think so!

It’s now official. My little honkey-tonk zombie love story will be published in the Rigor Amortis anthology coming out later this year. My part went from amused Twitter conversation to story over the course of a weekend. In that time the little zombie-erotica-anthology-that-could managed to land a publisher. Comprised of what promises to be some of the most disturbing flash fiction you’ve ever seen, it is also my first erotica publication.

Two months, from concept to Table of Contents. This, right here, is why I love small press. The ability to take an idea and run with it makes art and writing vital.

Certainly a lot more vital than the zombies in my story. But that you’ll have to discover for yourself when this dark delight is released later this year.

After a few dedicated and hard-won writing sessions, I put the finishing touches on the first draft of a story I’m doing for an anthology. Entitled “Damn, It’s Hard Out Here For A Brownie!”, it is a sometimes twisted tale about pride in one’s work, labor relations, and how one crazy person can fuck it all up for everyone.

It’s now in the hands of Caroline, the genius editor of Timid Pirate Publishing for a hard, critical look. Then line edits will follow over the next few days. If all goes well, I’ll have it sent off to its final intended destination.

And the funny thing is, this story almost didn’t happen at all. I came up with the title on a whim, and knew I wanted to do something with the little cobbler pixies, but no idea what. Instead, I was going to do a story about a Medusa in the modern world. I still like THAT story, and will probably write it for other markets. But when pitching it to the editor of the anthology I’m writing for, she was underwhelmed with the concept.

Not that she didn’t like the idea of the story. Just that it was not the best fit.

If I’ve learned anything with anthologies, it’s that the story has to be good, but at the end of the day it doesn’t matter how good it is if it doesn’t fit the editor’s concept of the anthology.

So, back to the drawing board. And those pesky Brownies kept coming back to me. Damned if I’m not happy they did. I ended up being really happy with the story. While not something I would have ordinarily written, it is definitely a Nathan Crowder story.

And in another month or so, I’ll be able to tell you if and when you can read it. ;)

Just saw roughs for the cover of Cobalt City Timeslip, featuring the new, unifying background for all future Cobalt anthologies. I can barely contain my excitement.

There should be a cover to show in the next week or so, with a table of contents in early August. I’ve seen three of the stories so far, and the rest are on the way in the next month.

Hm…guess I should find the time to do a second draft of my new story, “The War at Home” in the next few weeks. Busy busy busy!

In the meantime, I’m about 1,000 words into one of two stories I’m doing for other people’s anthologies. I didn’t know where I was going when I started. I had a title and a dilemma. Once I named my three spritely protagonists — Pip, Blueblossom, and Wayne — the rest started falling into place. I’m quite excited about it now, and hope to have the first draft done in the next week.

The world of haute couture footwear won’t know what hit them!

It’s been far too long since my last update. Why, you may ask? In a word — busy.

Now for more words.

I decided some time ago that I would be moving this summer, getting out of my occasionally gloomy, frequently noisy, and always northerly apartment into something closer my main social outlets. I had planned on making that move at the end of June. The universe had other plans, and I ended up taking a place mere blocks from my social hub in the middle of the month. It even has a view!

To say that I was in no way prepared for the move two weeks ahead or schedule is a vast understatement. Thankfully, dear friends pitched in, most everything has been moved into my new apartment, and all that remains are a few boxes to be put away and an old apartment to be cleaned (including a significant dump-run).

This has put me behind on my writing and other authorial obligations. I have things to follow up with for Timid Pirate Publishing. I have an RPG sourcebook to finish. I have two stories due for anthologies in August. And I still have my dang novel to finish.

To that end, I’m doing the Clarion Write-a-Thon, inspired by my friend Arinn Dembo (who is also a participant). My goal is to finish both stories and the novel by the end of the month. I’ll be posting updates here, as always. In return, you can donate to the wonderful folks at Clarion who I am sponsoring with my efforts.

If I make my donation goal, I’ll put up a fresh story for everyone’s enjoyment — one that they have likely not seen before. If I make my writing goal, well, you’ll have even more of my fiction to read in the near future, making all of us winners.

Click through and donate if you can. Clarion is a wonderful training program that is helping hone the spec fiction writers of the future. In a world where libraries are closing, few people are making a living as authors, and literacy of the masses sometimes resembles text messages, it’s inspiring to know that some people still care enough to want to share their stories.

I realize I’m a little late with this reminder, but I’ll be reading from “Frames of Reference,” my story in Close Encounters of the Urban Kind tonight. There will be several of us reading snippets from the collection, including Rosemary Jones, Erik Scott de Bie, Shannon Page, and Alma Alexander.

If you’re not familiar with the anthology, I’ll just shake my head sadly at you for a moment. It’s an awesome collection that pokes around the gray area where alien encounters and urban legends intersect. And intersect they do, in some surprising, spooky, and fun ways. My story explores my abiding love for junk cinema, noir, and horror.

We’ll be at Third Place Books (one of my absolutely favorite book stores) tonight (June 12th) at 6:30. It might be your last chance to get this many of the represented authors to sign your copy!

Third Place Books is located at 17171 Bothell Way NE in Lake Forrest Park.

Come for the reading, stay for the abduction, implants, and inevitable dismissal of the mainstream media when no one can provide evidence of the aliens. Ain’t that always the way?

It’s been a chaotic month. In the past four weeks (in addition to my regular 9-5 job), I did one reading for CLOSE ENCOUNTERS OF THE URBAN KIND at the University Bookstore, celebrated one wonderful relationship milestone, celebrated my birthday, and finished the first draft on three original short stories — two of them started from scratch in that time. Now, this was at the expense of my health, mind you. If you were to have heard my cough last night as I was finishing story numero tres, you would have summoned a priest.

But to hell with it. The story was worth it.

The next few days I’ll be a bit more laid-back as I make revisions and minor rewrites on those drafts. Up first, the David Bowie-inspired piece I wrote specifically for submission to an anthology. The deadline on that is still a bit away, but the sooner I get it in, the happier I will be. I can’t share details on the story yet, but let’s just say that head-wounds are messy things.

After that second draft, I have to retouch my new Gato Loco story. Set in Yuma, Arizona, it is my reaction to Arizona SB 1070. How would Mexico’s favorite vigilante biker deal with the high profile arrest of a journalist in a place wrestling with simmering immigration issues? It doesn’t have a title yet. Nor do I have a clear market to submit it to yet. Because of the timeliness of the subject matter, I really want it somewhere that can get it live quickly.

Finally, I need to do a second draft of my new Cobalt City story. Set during the final days of the Vietnam War, a veteran returns to the old neighborhood, his spirit bound with that of an ancient Norse god. How he chooses to embrace his destiny as the embodiment of Thor allowed me to tap some ideas I’ve been playing with for a while. How he chooses to deal with the poisonous influence of Loki in West Key (a small neighborhood in Cobalt City’s Quayside district), surprised even me. And nothing could have prepared me for the unplanned involvement of one of the Protectorate’s more mysterious members. No. Really. Until it happened, it never occurred to me. The end result turned out to be a delight, and I can’t wait for the Cobalt City Timeslip anthology so other people can enjoy it as well. I’m pretty confident that I’ll be writing about Midnight Thunder, protector of West Key again.

Until next time, edits await.

And some cough syrup. I mean, really. A hack like this, I should take up smoking!

The first Gato Loco novel, Greetings from Buena Rosa (which you can download for free here) grew out of a news report about the murders in Jarez and Chihuahua. Old news now, perhaps, but at the time, it was shocking that hundreds of people were being killed and that in lieu of actual investigation, some people were railroaded into confessing. I felt both outraged and powerless.

So I wrote about it.

Now I’m motivated to write a fresh Gato Loco story, once again motivated by recent events. The events in question are the controversial Arizona bill SB 1070, called by many an immigration bill. But it really isn’t an immigration bill. To be so, it would have to deal with immigration. It doesn’t. It merely criminalizes illegal immigration in new ways at the state level. It’s a relatively complicated bill, and coverage of it is biased on both sides, because it’s not entirely clear what the legal implications of it are.

Whatever the intention of the bill may be, it is already seeming more likely that it will be used as a weapon to oppress not only those who it seeks to criminalize, but those immigrants who are here legally. It scares me. Frankly, it should scare all of you, whether you live in Arizona or not.

What better place to send Cobalt City’s favorite Mexican detective/vigilante than a small Arizona city reaching the boiling point? The story is in progress now. I hope to have it finished before the weekend, at which point I’ll be looking for somewhere to get it published quickly. Barring that, I’ll put it up on my site.

Authors have many reasons for writing what they write. Some are for love, some for money. Somethings we write to make sense of the world. Some stories are inspired by fear, some inspired by a desire to inform.

I write because, at the end of the day, I want to believe in heroes. I want to believe that when things truly turn bad, someone will be there to stand up and say, “Enough!”

And I send Gato Loco to Arizona to confront the ugliness of this situation because I can not go myself. And maybe, just maybe, he will give someone the strength to say, “Enough.”

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